I've been absent from the Sunday Salon for a while. I've thought about posting, but just haven't quite got there. The reading has continued of course, so I'm going to talk about
The Subtle Knife, Red Leather Diary: Reclaiming a Life Through the Pages of a Lost Journal, Standing at Water’s Edge - Moving Past Fear, Blocks, and Pitfalls to Discover the Power of Creative Immersion and
American Gods.
I read Neil
Gaiman's American Gods a few months back, after enjoying his young adult novel
Coraline so much. American Gods was an incredibly memorable book. I read a lot and even if I enjoy a book it tends to go a little fuzzy after a while. Not so with American Gods, parts of which are still razor sharp in my mind. Characters and scenarios still come to my mind often, even after a few months which is always the sign of a great book. I won't say it was an easy read (particularly the last third or so) but it was continually surprising and unwound itself like 20 metres of red ribbon on a blanket of white snow. I didn't know where to look thought, or what evocative image to entertain. I wanted to read the book in snippets, digesting it slowly, and savouring the complicated stories of how Gods were transported to America, and their slow decline. I thought
Gaiman's tension between the old Gods and the new Gods (I loved the idea of the Chrome Gods, who received hundreds of thousands of sacrifices every year from people in car accidents and the drug gods, who again were worshipped in the thousands). I felt like things came a little undone at the end and I wasn't necessarily satisfied with how the final battle went down (or didn't), but what a hell of a ride.
The Red Leather Diary was a nice little find. I can't remember who recommended it to me, but it arrived on my loan shelf at the library just before Christmas. It even had its own red tag - THIS BOOK IS IN HEAVY DEMAND, return it fast or we'll hunt you down - you know the sort of thing. I read a few pages when I left the library and I was hooked. Lily Koppel discovered Florence's diary in an old trunk being thrown out in her apartment building in New York. It detailed the life of Florence, a young girl who was 14 at the start of the diary and 19 at its end, who had a passion for writing, art, men and women and life in general. It faithfully documents New York City in the 20's and 30's and is a wonderful, colourful read. A writer for the New York Times, Koppel wrote a piece on the diary which she then decided to turn into a book. The young girl who wrote the journal is now an old woman of 90, but still with plenty of vigour and passion. The book isn't just
transcribed diary entries, but is rather broken into subject matter and interspersed with interviews Koppel did with the 90 year
old Florence and her friends and surviving family. In short, it is fascinating and I highly, highly recommend it.
The Subtle Knife is the second of Philip Pullman's award winning Golden Compass series. I bought the omnibus a while back and I've been wading through it. The Subtle Knife was actually an easier read for me than His Dark Materials, possibly because I'd seen the movie and pretty much knew what the main plot points were, which didn't create much mystery or intrigue. The second book is very different from the first and I can understand the reluctance of
filmmakers to commit to filming the trilogy. However, I loved the
character of Will and I felt Lyra was much more sure of herself in this book and
hence a bit less
whiny. This was very much the story of two children. I missed
Iorek, and of course the loss in this book of one of my favourite characters saw me crying my eyes out. So sad. :( I can also understand the whole religious uproar around the books now. The first book isn't at all controversial in terms of the church. Critical yes, controversial no. But the second one takes it to a new level with the idea of Lord
Asriel finding God and planting a knife in his chest. I love controversy though, and I love ballsy plot choices. More power to you, Philip Pullman.
That's a microscopic image of Anne Paris'
Standing at Water’s Edge - Moving Past Fear, Blocks, and Pitfalls to Discover the Power of Creative Immersion. The good news: I can relate to all of Paris' main points in this book. It is definitely speaking to me and I'm finding that it has a wonderfully refreshing take on creativity and some new ideas. The bad news: It reads like a
Phd thesis. It is impossibly cemented in a bunch of
academic references and talk about parenting and how if your parents didn't tell you your drawings were great when you were a kid you became moody and withdrawn and can't be your own best friend etc etc. Some of this info is interesting, but after a while it just becomes redundant. We wouldn't be reading this book if we were having a great
artistic life. Let's all agree we weren't really encouraged as children and stop belabouring the point! I also think more examples from Paris' clinical work would be great too. I'm sticking with this book because like I said, it is speaking to me. But I'm used to
academic texts and I can imagine it might be a bit
heavy going if you're not as forgiving as I'm willing to be.
And that, my friends, is it for my Sunday Salon. It's my birthday this week and I know at least 2 delicious books are headed my way and I also have almost $100.00 worth of vouchers to use up this week in local bookstores so
yay! Happy reading.
